The Actor's EyePerforming Arts Journal Publications, 1984 - 202 halaman |
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Halaman 96
... reading , but then you'd have to undo that in the subsequent rehearsals and work back to the truth , since that's what you were looking for . Sometimes an effective reading was all that was required . In the old days , it used to ...
... reading , but then you'd have to undo that in the subsequent rehearsals and work back to the truth , since that's what you were looking for . Sometimes an effective reading was all that was required . In the old days , it used to ...
Halaman 136
... reading is always very important , and it should be utilized - I'm not counting the previous readings which have taken place at home in every actor's case - as the first realization of one's own simple Self in contact for the first time ...
... reading is always very important , and it should be utilized - I'm not counting the previous readings which have taken place at home in every actor's case - as the first realization of one's own simple Self in contact for the first time ...
Halaman 137
... reading . The other day I had the experience of reading a play that I had never read before . At the first reading what I found was that I was attracted by the style of the author . What do I mean by that ? In this case by his desire to ...
... reading . The other day I had the experience of reading a play that I had never read before . At the first reading what I found was that I was attracted by the style of the author . What do I mean by that ? In this case by his desire to ...
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Istilah dan frasa umum
Action actor agitation Antonio Ariel audience Awake and Sing basic Bassanio become beginning body character characterization Claudius comes conscious Cordelia costume course Creon desire director emotion encounter essence eventually everything example excitement experience expressed eyes face fact Falstaff feeling final fundamental give given circumstances going Goneril Group Theatre Group Theatre production Hamlet happens Harold Clurman human idea imagination Juliet kind King Lear look Macbeth mean ment Merchant of Venice Michael Chekhov mind Morris Carnovsky nature necessity never Object Othello perhaps person Phoebe Brand physical play poet Polonius Portia Prospero reading realization recognize rehearsal relaxation remember respond role scene sense Shakespeare Shylock simply soliloquy speak speech Spine stage Stanislavsky Stanislavsky system stimulate suddenly suggest talking there's things tion tragic truth Twelfth Night understanding whole words
Buku ini dirujuk
Tennessee Williams and Elia Kazan: A Collaboration in the Theatre Brenda Murphy Pratinjau terbatas - 1992 |