The Actor's EyePerforming Arts Journal Publications, 1984 - 202 halaman |
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Halaman 40
... Once we step up here on this magic space we mustn't relinquish our humanity and proceed to be dummies or store mannequins . Learn to talk . It seems almost absurd to say anything about it because communicating with each other as I am ...
... Once we step up here on this magic space we mustn't relinquish our humanity and proceed to be dummies or store mannequins . Learn to talk . It seems almost absurd to say anything about it because communicating with each other as I am ...
Halaman 49
... once knew a man , who still lives and acts in Hollywood . When I was very young , and he was somewhat older than I , I once asked him what is the secret of acting . " What do you do ? What makes you a good actor ? " He answered without ...
... once knew a man , who still lives and acts in Hollywood . When I was very young , and he was somewhat older than I , I once asked him what is the secret of acting . " What do you do ? What makes you a good actor ? " He answered without ...
Halaman 136
Morris Carnovsky, Peter Sander. whole period and the whole character all at once . The first reading is always very ... once said , " Examine the relationships of the characters . " Lear with Goneril is different from Lear with Cordelia ...
Morris Carnovsky, Peter Sander. whole period and the whole character all at once . The first reading is always very ... once said , " Examine the relationships of the characters . " Lear with Goneril is different from Lear with Cordelia ...
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Istilah dan frasa umum
Action actor agitation Antonio Ariel audience Awake and Sing basic Bassanio become beginning body character characterization Claudius comes conscious Cordelia costume course Creon desire director emotion encounter essence eventually everything example excitement experience expressed eyes face fact Falstaff feeling final fundamental give given circumstances going Goneril Group Theatre Group Theatre production Hamlet happens Harold Clurman human idea imagination Juliet kind King Lear look Macbeth mean ment Merchant of Venice Michael Chekhov mind Morris Carnovsky nature necessity never Object Othello perhaps person Phoebe Brand physical play poet Polonius Portia Prospero reading realization recognize rehearsal relaxation remember respond role scene sense Shakespeare Shylock simply soliloquy speak speech Spine stage Stanislavsky Stanislavsky system stimulate suddenly suggest talking there's things tion tragic truth Twelfth Night understanding whole words
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Tennessee Williams and Elia Kazan: A Collaboration in the Theatre Brenda Murphy Pratinjau terbatas - 1992 |