The Actor's EyePerforming Arts Journal Publications, 1984 - 202 halaman |
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Halaman 97
... never was allowed to exhibit itself - never . So there you had this charm , seductiveness , sexy kind of indication , which became rather questionable after you saw it on many different occasions . Now , of course , on Broadway , in the ...
... never was allowed to exhibit itself - never . So there you had this charm , seductiveness , sexy kind of indication , which became rather questionable after you saw it on many different occasions . Now , of course , on Broadway , in the ...
Halaman 137
... never read before . At the first reading what I found was that I was attracted by the style of the author . What do I mean by that ? In this case by his desire to say something new , original , and true about the material of the play ...
... never read before . At the first reading what I found was that I was attracted by the style of the author . What do I mean by that ? In this case by his desire to say something new , original , and true about the material of the play ...
Halaman 189
... never had to use before in any play . Then the beautiful little scene that follows , almost wordless , absentminded , with the Fool , a scene of almost hopeless hope , snatching at love and deluding myself that I will find it with Regan ...
... never had to use before in any play . Then the beautiful little scene that follows , almost wordless , absentminded , with the Fool , a scene of almost hopeless hope , snatching at love and deluding myself that I will find it with Regan ...
Edisi yang lain - Lihat semua
Istilah dan frasa umum
Action actor agitation Antonio Ariel audience Awake and Sing basic Bassanio become beginning body character characterization Claudius comes conscious Cordelia costume course Creon desire director emotion encounter essence eventually everything example excitement experience expressed eyes face fact Falstaff feeling final fundamental give given circumstances going Goneril Group Theatre Group Theatre production Hamlet happens Harold Clurman human idea imagination Juliet kind King Lear look Macbeth mean ment Merchant of Venice Michael Chekhov mind Morris Carnovsky nature necessity never Object Othello perhaps person Phoebe Brand physical play poet Polonius Portia Prospero reading realization recognize rehearsal relaxation remember respond role scene sense Shakespeare Shylock simply soliloquy speak speech Spine stage Stanislavsky Stanislavsky system stimulate suddenly suggest talking there's things tion tragic truth Twelfth Night understanding whole words
Buku ini dirujuk
Tennessee Williams and Elia Kazan: A Collaboration in the Theatre Brenda Murphy Pratinjau terbatas - 1992 |