The Actor's EyePerforming Arts Journal Publications, 1984 - 202 halaman |
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Halaman 43
... necessity . The Fool cannot help but die for his master . It is the necessity of his being . Goneril cannot help being the sinister creature that she is . She desires power and love so much that her “ fate cries out and makes each petty ...
... necessity . The Fool cannot help but die for his master . It is the necessity of his being . Goneril cannot help being the sinister creature that she is . She desires power and love so much that her “ fate cries out and makes each petty ...
Halaman 98
... necessity of the actor to be a cultured person : to be at home with music , ideas , novels , and to recognize how character exists in other arts besides . his own . The necessity of being a person , behind everything that he does . And ...
... necessity of the actor to be a cultured person : to be at home with music , ideas , novels , and to recognize how character exists in other arts besides . his own . The necessity of being a person , behind everything that he does . And ...
Halaman 191
... necessity , all of them . One by one , in more or less degree , they recognize that they are subject to a personal necessity from which they cannot escape . Each one has his own " dark tower . " This is what creates a tragic atmosphere ...
... necessity , all of them . One by one , in more or less degree , they recognize that they are subject to a personal necessity from which they cannot escape . Each one has his own " dark tower . " This is what creates a tragic atmosphere ...
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Istilah dan frasa umum
Action actor agitation Antonio Ariel audience Awake and Sing basic Bassanio become beginning body character characterization Claudius comes conscious Cordelia costume course Creon desire director emotion encounter essence eventually everything example excitement experience expressed eyes face fact Falstaff feeling final fundamental give given circumstances going Goneril Group Theatre Group Theatre production Hamlet happens Harold Clurman human idea imagination Juliet kind King Lear look Macbeth mean ment Merchant of Venice Michael Chekhov mind Morris Carnovsky nature necessity never Object Othello perhaps person Phoebe Brand physical play poet Polonius Portia Prospero reading realization recognize rehearsal relaxation remember respond role scene sense Shakespeare Shylock simply soliloquy speak speech Spine stage Stanislavsky Stanislavsky system stimulate suddenly suggest talking there's things tion tragic truth Twelfth Night understanding whole words
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