The Actor's EyePerforming Arts Journal Publications, 1984 - 202 halaman |
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Halaman 103
... matter what happened , I couldn't stray very far from the character . As I said before , everything was in place the words , the movements , the physical characterization , the make - up , all of that - that couldn't possibly be ...
... matter what happened , I couldn't stray very far from the character . As I said before , everything was in place the words , the movements , the physical characterization , the make - up , all of that - that couldn't possibly be ...
Halaman 139
... matter whether he was wrongheaded or not , he had a quality , a human en- tity and an essence which far surpasses anything that I have ever met in any other person . " That to me is the residue of the play . Shylock himself may die as a ...
... matter whether he was wrongheaded or not , he had a quality , a human en- tity and an essence which far surpasses anything that I have ever met in any other person . " That to me is the residue of the play . Shylock himself may die as a ...
Halaman 142
... matter of fact in the course of the play he does just that . He wanders to Orsino's house and sings for him . It doesn't matter ; so long as people fling him a little money , he's happy . He doesn't give a damn , except in one regard ...
... matter of fact in the course of the play he does just that . He wanders to Orsino's house and sings for him . It doesn't matter ; so long as people fling him a little money , he's happy . He doesn't give a damn , except in one regard ...
Edisi yang lain - Lihat semua
Istilah dan frasa umum
Action actor agitation Antonio Ariel audience Awake and Sing basic Bassanio become beginning body character characterization Claudius comes conscious Cordelia costume course Creon desire director emotion encounter essence eventually everything example excitement experience expressed eyes face fact Falstaff feeling final fundamental give given circumstances going Goneril Group Theatre Group Theatre production Hamlet happens Harold Clurman human idea imagination Juliet kind King Lear look Macbeth mean ment Merchant of Venice Michael Chekhov mind Morris Carnovsky nature necessity never Object Othello perhaps person Phoebe Brand physical play poet Polonius Portia Prospero reading realization recognize rehearsal relaxation remember respond role scene sense Shakespeare Shylock simply soliloquy speak speech Spine stage Stanislavsky Stanislavsky system stimulate suddenly suggest talking there's things tion tragic truth Twelfth Night understanding whole words
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