The Actor's EyePerforming Arts Journal Publications, 1984 - 202 halaman |
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Halaman 106
... it's like engaging a woman in a love affair . Unless you're a very secure or even brutal lover , you make your approaches tentatively , because you are really trying to find out about her , giving her a chance to find out about you ...
... it's like engaging a woman in a love affair . Unless you're a very secure or even brutal lover , you make your approaches tentatively , because you are really trying to find out about her , giving her a chance to find out about you ...
Halaman 194
... It's a very dif- ficult point to clinch in the performance , but it's there for the actor who plays Lear to try for . I am not sure we ever really solved this thing , but at any rate , the play develops from the major premise of that ...
... It's a very dif- ficult point to clinch in the performance , but it's there for the actor who plays Lear to try for . I am not sure we ever really solved this thing , but at any rate , the play develops from the major premise of that ...
Halaman 201
... it's borne in on me that this is " unaccomodated man , " naked ; everything and nothing . It's a tremendous realization : " this is all of us . I'm no different from him . " We worked on a sound for that moment from the orchestra , a ...
... it's borne in on me that this is " unaccomodated man , " naked ; everything and nothing . It's a tremendous realization : " this is all of us . I'm no different from him . " We worked on a sound for that moment from the orchestra , a ...
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Istilah dan frasa umum
Action actor agitation Antonio Ariel audience Awake and Sing basic Bassanio become beginning body character characterization Claudius comes conscious Cordelia costume course Creon desire director emotion encounter essence eventually everything example excitement experience expressed eyes face fact Falstaff feeling final fundamental give given circumstances going Goneril Group Theatre Group Theatre production Hamlet happens Harold Clurman human idea imagination Juliet kind King Lear look Macbeth mean ment Merchant of Venice Michael Chekhov mind Morris Carnovsky nature necessity never Object Othello perhaps person Phoebe Brand physical play poet Polonius Portia Prospero reading realization recognize rehearsal relaxation remember respond role scene sense Shakespeare Shylock simply soliloquy speak speech Spine stage Stanislavsky Stanislavsky system stimulate suddenly suggest talking there's things tion tragic truth Twelfth Night understanding whole words
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