The Actor's EyePerforming Arts Journal Publications, 1984 - 202 halaman |
Dari dalam buku
Hasil 1-3 dari 69
Halaman 48
Morris Carnovsky, Peter Sander. Even though your work goes on without my " intervention " through the greater part of ... go until I got it . That was the bulldog quality . The important point here is that even in grotesque or extreme ...
Morris Carnovsky, Peter Sander. Even though your work goes on without my " intervention " through the greater part of ... go until I got it . That was the bulldog quality . The important point here is that even in grotesque or extreme ...
Halaman 53
... go out in the street , as he says goodbye to Jessica , as he goes out in the street , takes his stick and begins to walk along the street , leaving the ghetto , going outside it , huddling close to the walls when he perceives someone ap ...
... go out in the street , as he says goodbye to Jessica , as he goes out in the street , takes his stick and begins to walk along the street , leaving the ghetto , going outside it , huddling close to the walls when he perceives someone ap ...
Halaman 175
... goes to England and comes back , and nothing has changed ; and he dies , foolishly , in a sense . To my mind , this interpretation goes far to explain the reasons for Hamlet's hold on our affections . He may do cruel things ...
... goes to England and comes back , and nothing has changed ; and he dies , foolishly , in a sense . To my mind , this interpretation goes far to explain the reasons for Hamlet's hold on our affections . He may do cruel things ...
Edisi yang lain - Lihat semua
Istilah dan frasa umum
Action actor agitation Antonio Ariel audience Awake and Sing basic Bassanio become beginning body character characterization Claudius comes conscious Cordelia costume course Creon desire director emotion encounter essence eventually everything example excitement experience expressed eyes face fact Falstaff feeling final fundamental give given circumstances going Goneril Group Theatre Group Theatre production Hamlet happens Harold Clurman human idea imagination Juliet kind King Lear look Macbeth mean ment Merchant of Venice Michael Chekhov mind Morris Carnovsky nature necessity never Object Othello perhaps person Phoebe Brand physical play poet Polonius Portia Prospero reading realization recognize rehearsal relaxation remember respond role scene sense Shakespeare Shylock simply soliloquy speak speech Spine stage Stanislavsky Stanislavsky system stimulate suddenly suggest talking there's things tion tragic truth Twelfth Night understanding whole words
Buku ini dirujuk
Tennessee Williams and Elia Kazan: A Collaboration in the Theatre Brenda Murphy Pratinjau terbatas - 1992 |