The Actor's EyePerforming Arts Journal Publications, 1984 - 202 halaman |
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Halaman 51
... give me the full character . It would give me certainly a great deal to work with , but it wouldn't lead me to find the precise color and all the facets of his character . It wouldn't give my imagination the proper full answer . So I ...
... give me the full character . It would give me certainly a great deal to work with , but it wouldn't lead me to find the precise color and all the facets of his character . It wouldn't give my imagination the proper full answer . So I ...
Halaman 70
... give himself willingly to these things , not to resist . Not to say , " Of course that's the poet's way of talking ... gives us to arouse and suggest . ( In the last analysis are we actors not attempting to identify with Shakespeare ...
... give himself willingly to these things , not to resist . Not to say , " Of course that's the poet's way of talking ... gives us to arouse and suggest . ( In the last analysis are we actors not attempting to identify with Shakespeare ...
Halaman 132
... give thee power , here to this place . " The words themselves carry the permission to use my power . But instead ... give Miranda to Ferdinand . I might play it , if I chose , smilingly : " This is the day of betrothal , my children , be ...
... give thee power , here to this place . " The words themselves carry the permission to use my power . But instead ... give Miranda to Ferdinand . I might play it , if I chose , smilingly : " This is the day of betrothal , my children , be ...
Edisi yang lain - Lihat semua
Istilah dan frasa umum
Action actor agitation Antonio Ariel audience Awake and Sing basic Bassanio become beginning body character characterization Claudius comes conscious Cordelia costume course Creon desire director emotion encounter essence eventually everything example excitement experience expressed eyes face fact Falstaff feeling final fundamental give given circumstances going Goneril Group Theatre Group Theatre production Hamlet happens Harold Clurman human idea imagination Juliet kind King Lear look Macbeth mean ment Merchant of Venice Michael Chekhov mind Morris Carnovsky nature necessity never Object Othello perhaps person Phoebe Brand physical play poet Polonius Portia Prospero reading realization recognize rehearsal relaxation remember respond role scene sense Shakespeare Shylock simply soliloquy speak speech Spine stage Stanislavsky Stanislavsky system stimulate suddenly suggest talking there's things tion tragic truth Twelfth Night understanding whole words
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Tennessee Williams and Elia Kazan: A Collaboration in the Theatre Brenda Murphy Pratinjau terbatas - 1992 |