The Actor's EyePerforming Arts Journal Publications, 1984 - 202 halaman |
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Halaman 67
... final statement : " Fled is that music : -Do I wake or sleep ? " , a kind of bemused condition in which the poet is left suspended . A resolution as mysterious as " The rest is silence " or the end of King Lear . From contemplation ...
... final statement : " Fled is that music : -Do I wake or sleep ? " , a kind of bemused condition in which the poet is left suspended . A resolution as mysterious as " The rest is silence " or the end of King Lear . From contemplation ...
Halaman 69
... final confirmation ; and suddenly you see the whole thing , not only in the mirror , but you feel it in your bones . A certain pulsing quality is added which feeds itself into the unity of the character . All the facets , all the ...
... final confirmation ; and suddenly you see the whole thing , not only in the mirror , but you feel it in your bones . A certain pulsing quality is added which feeds itself into the unity of the character . All the facets , all the ...
Halaman 190
... final hovel scene where Lear is going over the borderline to madness and where he arraigns the two wicked daughters ... final scene in which I bring on Cordelia dead in my arms is perhaps the final expenditure of energy , physically ...
... final hovel scene where Lear is going over the borderline to madness and where he arraigns the two wicked daughters ... final scene in which I bring on Cordelia dead in my arms is perhaps the final expenditure of energy , physically ...
Edisi yang lain - Lihat semua
Istilah dan frasa umum
Action actor agitation Antonio Ariel audience Awake and Sing basic Bassanio become beginning body character characterization Claudius comes conscious Cordelia costume course Creon desire director emotion encounter essence eventually everything example excitement experience expressed eyes face fact Falstaff feeling final fundamental give given circumstances going Goneril Group Theatre Group Theatre production Hamlet happens Harold Clurman human idea imagination Juliet kind King Lear look Macbeth mean ment Merchant of Venice Michael Chekhov mind Morris Carnovsky nature necessity never Object Othello perhaps person Phoebe Brand physical play poet Polonius Portia Prospero reading realization recognize rehearsal relaxation remember respond role scene sense Shakespeare Shylock simply soliloquy speak speech Spine stage Stanislavsky Stanislavsky system stimulate suddenly suggest talking there's things tion tragic truth Twelfth Night understanding whole words
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