The Actor's EyePerforming Arts Journal Publications, 1984 - 202 halaman |
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Halaman 29
... eyes . If any tension intrudes , throw it away . Command it to disappear . You don't need it . Keep it going while I tell you the following : that what you are now doing is a very creative thing . You are preparing your whole psyche ...
... eyes . If any tension intrudes , throw it away . Command it to disappear . You don't need it . Keep it going while I tell you the following : that what you are now doing is a very creative thing . You are preparing your whole psyche ...
Halaman 30
... eyes to see more . Allowing your eyes to be free so that you will see other possibilities . . . and move forward . . . go . And now find each other ; and when you find each other do so with all of the unself - consciousness that you ...
... eyes to see more . Allowing your eyes to be free so that you will see other possibilities . . . and move forward . . . go . And now find each other ; and when you find each other do so with all of the unself - consciousness that you ...
Halaman 53
... eyes . . . " Because ( as I wrote once * ) the words , " Hath not a Jew eyes , hath not a Jew organs , dimen- sions , senses , affections , passions , " and so on , tremble on his lips when we first see him . The man who on his first ...
... eyes . . . " Because ( as I wrote once * ) the words , " Hath not a Jew eyes , hath not a Jew organs , dimen- sions , senses , affections , passions , " and so on , tremble on his lips when we first see him . The man who on his first ...
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Istilah dan frasa umum
Action actor agitation Antonio Ariel audience Awake and Sing basic Bassanio become beginning body character characterization Claudius comes conscious Cordelia costume course Creon desire director emotion encounter essence eventually everything example excitement experience expressed eyes face fact Falstaff feeling final fundamental give given circumstances going Goneril Group Theatre Group Theatre production Hamlet happens Harold Clurman human idea imagination Juliet kind King Lear look Macbeth mean ment Merchant of Venice Michael Chekhov mind Morris Carnovsky nature necessity never Object Othello perhaps person Phoebe Brand physical play poet Polonius Portia Prospero reading realization recognize rehearsal relaxation remember respond role scene sense Shakespeare Shylock simply soliloquy speak speech Spine stage Stanislavsky Stanislavsky system stimulate suddenly suggest talking there's things tion tragic truth Twelfth Night understanding whole words
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