The Actor's EyePerforming Arts Journal Publications, 1984 - 202 halaman |
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Halaman 158
... expressed , all that is necessary is to apply the right make- up which will carry out and put a kind of seal on this activity ; and there you are , there is Quince . Did you find that in working on Falstaff ? Yes , especially in ...
... expressed , all that is necessary is to apply the right make- up which will carry out and put a kind of seal on this activity ; and there you are , there is Quince . Did you find that in working on Falstaff ? Yes , especially in ...
Halaman 189
... expressed had to be expressed fully . There was no saving of one's self . The explosions toward Cordelia , toward Kent , the bitter summations to Burgundy and France , and the disposing of Cordelia all demanded an inordinate amount of ...
... expressed had to be expressed fully . There was no saving of one's self . The explosions toward Cordelia , toward Kent , the bitter summations to Burgundy and France , and the disposing of Cordelia all demanded an inordinate amount of ...
Halaman 199
... expressed himself with a kind of aban- doned , unbridled imaginativeness , intrigued me as Lear beyond anything that I had ever experienced . It was as if I was saying to him " I know you ; what were you before you became mad ? You ...
... expressed himself with a kind of aban- doned , unbridled imaginativeness , intrigued me as Lear beyond anything that I had ever experienced . It was as if I was saying to him " I know you ; what were you before you became mad ? You ...
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Istilah dan frasa umum
Action actor agitation Antonio Ariel audience Awake and Sing basic Bassanio become beginning body character characterization Claudius comes conscious Cordelia costume course Creon desire director emotion encounter essence eventually everything example excitement experience expressed eyes face fact Falstaff feeling final fundamental give given circumstances going Goneril Group Theatre Group Theatre production Hamlet happens Harold Clurman human idea imagination Juliet kind King Lear look Macbeth mean ment Merchant of Venice Michael Chekhov mind Morris Carnovsky nature necessity never Object Othello perhaps person Phoebe Brand physical play poet Polonius Portia Prospero reading realization recognize rehearsal relaxation remember respond role scene sense Shakespeare Shylock simply soliloquy speak speech Spine stage Stanislavsky Stanislavsky system stimulate suddenly suggest talking there's things tion tragic truth Twelfth Night understanding whole words
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