The Actor's EyePerforming Arts Journal Publications, 1984 - 202 halaman |
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Halaman 37
... encounter . I take pleasure , for example , in the simple tranquility of just looking , in en- countering the obstacle which is you . And I hope it's pleasant for you to en- counter this obstacle in the person of me . And that circle ...
... encounter . I take pleasure , for example , in the simple tranquility of just looking , in en- countering the obstacle which is you . And I hope it's pleasant for you to en- counter this obstacle in the person of me . And that circle ...
Halaman 39
... encounter at the end of the play between Othello and Iago . There is not much to be said . Iago has just been ... encounters with you , it's not only what I say that affects you , but what you say affects me , and what I expect you to ...
... encounter at the end of the play between Othello and Iago . There is not much to be said . Iago has just been ... encounters with you , it's not only what I say that affects you , but what you say affects me , and what I expect you to ...
Halaman 87
... encounter the girl's antagonism in the fullest form ; and I am forced to pronounce the sentence of death upon her against my will . In doing that I simply obey my necessity as a character . I leave it to the audience to draw its own ...
... encounter the girl's antagonism in the fullest form ; and I am forced to pronounce the sentence of death upon her against my will . In doing that I simply obey my necessity as a character . I leave it to the audience to draw its own ...
Edisi yang lain - Lihat semua
Istilah dan frasa umum
Action actor agitation Antonio Ariel audience Awake and Sing basic Bassanio become beginning body character characterization Claudius comes conscious Cordelia costume course Creon desire director emotion encounter essence eventually everything example excitement experience expressed eyes face fact Falstaff feeling final fundamental give given circumstances going Goneril Group Theatre Group Theatre production Hamlet happens Harold Clurman human idea imagination Juliet kind King Lear look Macbeth mean ment Merchant of Venice Michael Chekhov mind Morris Carnovsky nature necessity never Object Othello perhaps person Phoebe Brand physical play poet Polonius Portia Prospero reading realization recognize rehearsal relaxation remember respond role scene sense Shakespeare Shylock simply soliloquy speak speech Spine stage Stanislavsky Stanislavsky system stimulate suddenly suggest talking there's things tion tragic truth Twelfth Night understanding whole words
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