The Actor's EyePerforming Arts Journal Publications, 1984 - 202 halaman |
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Halaman 50
... desire to live , ( he says ' give me life ' ) by a constant desire to live richly , fully . " Now that's a lot of words and for myself , if I remind myself that my Spine is simply " to live , " it will induce , not only the fundamental ...
... desire to live , ( he says ' give me life ' ) by a constant desire to live richly , fully . " Now that's a lot of words and for myself , if I remind myself that my Spine is simply " to live , " it will induce , not only the fundamental ...
Halaman 79
... desire . Desire can be an abstract thing , but activity is not abstract . Activity is concrete ; generally I think of activity as being the instrument of desire . An example . Look at Peter Quince in A Midsummer Night's Dream . His is a ...
... desire . Desire can be an abstract thing , but activity is not abstract . Activity is concrete ; generally I think of activity as being the instrument of desire . An example . Look at Peter Quince in A Midsummer Night's Dream . His is a ...
Halaman 80
... desire : to please Theseus and Hippolyta . Out of this desire is born the Action which is : to create something beautiful for them . And the activity , then , consists of all the ways it must , of necessity , express itself . When I ...
... desire : to please Theseus and Hippolyta . Out of this desire is born the Action which is : to create something beautiful for them . And the activity , then , consists of all the ways it must , of necessity , express itself . When I ...
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Istilah dan frasa umum
Action actor agitation Antonio Ariel audience Awake and Sing basic Bassanio become beginning body character characterization Claudius comes conscious Cordelia costume course Creon desire director emotion encounter essence eventually everything example excitement experience expressed eyes face fact Falstaff feeling final fundamental give given circumstances going Goneril Group Theatre Group Theatre production Hamlet happens Harold Clurman human idea imagination Juliet kind King Lear look Macbeth mean ment Merchant of Venice Michael Chekhov mind Morris Carnovsky nature necessity never Object Othello perhaps person Phoebe Brand physical play poet Polonius Portia Prospero reading realization recognize rehearsal relaxation remember respond role scene sense Shakespeare Shylock simply soliloquy speak speech Spine stage Stanislavsky Stanislavsky system stimulate suddenly suggest talking there's things tion tragic truth Twelfth Night understanding whole words
Buku ini dirujuk
Tennessee Williams and Elia Kazan: A Collaboration in the Theatre Brenda Murphy Pratinjau terbatas - 1992 |