The Actor's EyePerforming Arts Journal Publications, 1984 - 202 halaman |
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Halaman 31
... conscious of the fact that you were really relaxed , that you were really in a sense happy in your relaxa- tion , that it became easy for you to sense the possession of your unique selves . And what I want to point out is that that ...
... conscious of the fact that you were really relaxed , that you were really in a sense happy in your relaxa- tion , that it became easy for you to sense the possession of your unique selves . And what I want to point out is that that ...
Halaman 36
... conscious action , full of feeling , content , and purpose , which cannot be carried out in any slipshod ... consciousness going in the head , knowing that you're doing this - consciously . If you simply practice it ten times a day ...
... conscious action , full of feeling , content , and purpose , which cannot be carried out in any slipshod ... consciousness going in the head , knowing that you're doing this - consciously . If you simply practice it ten times a day ...
Halaman 101
... conscious to the unconscious , " ( but what he doesn't say is " from the unconscious back into the conscious " ) that I really grasped the actor's process . It was only when that was borne in on me and began to prove itself in my work ...
... conscious to the unconscious , " ( but what he doesn't say is " from the unconscious back into the conscious " ) that I really grasped the actor's process . It was only when that was borne in on me and began to prove itself in my work ...
Edisi yang lain - Lihat semua
Istilah dan frasa umum
Action actor agitation Antonio Ariel audience Awake and Sing basic Bassanio become beginning body character characterization Claudius comes conscious Cordelia costume course Creon desire director emotion encounter essence eventually everything example excitement experience expressed eyes face fact Falstaff feeling final fundamental give given circumstances going Goneril Group Theatre Group Theatre production Hamlet happens Harold Clurman human idea imagination Juliet kind King Lear look Macbeth mean ment Merchant of Venice Michael Chekhov mind Morris Carnovsky nature necessity never Object Othello perhaps person Phoebe Brand physical play poet Polonius Portia Prospero reading realization recognize rehearsal relaxation remember respond role scene sense Shakespeare Shylock simply soliloquy speak speech Spine stage Stanislavsky Stanislavsky system stimulate suddenly suggest talking there's things tion tragic truth Twelfth Night understanding whole words
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