The Actor's EyePerforming Arts Journal Publications, 1984 - 202 halaman |
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Halaman 27
... come from the same shop . The creation TM of the role is not only induced by the quality of the image that we see , but ... comes out of Coquelin and nobody else . It's his own image after all , and whether he imitates it or not really ...
... come from the same shop . The creation TM of the role is not only induced by the quality of the image that we see , but ... comes out of Coquelin and nobody else . It's his own image after all , and whether he imitates it or not really ...
Halaman 67
... comes . It may not come from the image , but it usually does . It's not so much imagination itself that we need to grasp , but we desire to create roads to freeing and stimulating the imagination , removing all im- pediments in the road ...
... comes . It may not come from the image , but it usually does . It's not so much imagination itself that we need to grasp , but we desire to create roads to freeing and stimulating the imagination , removing all im- pediments in the road ...
Halaman 189
... come to some kind of blank wall where they have to ask themselves , " Is it all worth - while ? " Shakespeare , even ... comes directly into it with " Blow , winds , and crack your cheeks . " This , the scene with Regan , and the curse ...
... come to some kind of blank wall where they have to ask themselves , " Is it all worth - while ? " Shakespeare , even ... comes directly into it with " Blow , winds , and crack your cheeks . " This , the scene with Regan , and the curse ...
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Istilah dan frasa umum
Action actor agitation Antonio Ariel audience Awake and Sing basic Bassanio become beginning body character characterization Claudius comes conscious Cordelia costume course Creon desire director emotion encounter essence eventually everything example excitement experience expressed eyes face fact Falstaff feeling final fundamental give given circumstances going Goneril Group Theatre Group Theatre production Hamlet happens Harold Clurman human idea imagination Juliet kind King Lear look Macbeth mean ment Merchant of Venice Michael Chekhov mind Morris Carnovsky nature necessity never Object Othello perhaps person Phoebe Brand physical play poet Polonius Portia Prospero reading realization recognize rehearsal relaxation remember respond role scene sense Shakespeare Shylock simply soliloquy speak speech Spine stage Stanislavsky Stanislavsky system stimulate suddenly suggest talking there's things tion tragic truth Twelfth Night understanding whole words
Buku ini dirujuk
Tennessee Williams and Elia Kazan: A Collaboration in the Theatre Brenda Murphy Pratinjau terbatas - 1992 |