The Actor's EyePerforming Arts Journal Publications, 1984 - 202 halaman |
Dari dalam buku
Hasil 1-3 dari 33
Halaman 29
... body has stopped ... Stop ! ... Now , without movement , check your eyes . . . check your faces ... check your bodies . If there are focuses or places of tension , dismiss them deliberately . This is where the Will can be employed ...
... body has stopped ... Stop ! ... Now , without movement , check your eyes . . . check your faces ... check your bodies . If there are focuses or places of tension , dismiss them deliberately . This is where the Will can be employed ...
Halaman 35
... body . That I have to add to my circumstances ; it becomes the circumstance under which I labor . But the person , the thing , that labors inside that circumstance is still me . Not you , not him , nobody else , just me . And one of the ...
... body . That I have to add to my circumstances ; it becomes the circumstance under which I labor . But the person , the thing , that labors inside that circumstance is still me . Not you , not him , nobody else , just me . And one of the ...
Halaman 157
... body that you choose . For example , the actor playing a person who is given to thinking a great deal might place his center automatically in the center of his head , and everything about his body would follow suit ; the head would take ...
... body that you choose . For example , the actor playing a person who is given to thinking a great deal might place his center automatically in the center of his head , and everything about his body would follow suit ; the head would take ...
Edisi yang lain - Lihat semua
Istilah dan frasa umum
Action actor agitation Antonio Ariel audience Awake and Sing basic Bassanio become beginning body character characterization Claudius comes conscious Cordelia costume course Creon desire director emotion encounter essence eventually everything example excitement experience expressed eyes face fact Falstaff feeling final fundamental give given circumstances going Goneril Group Theatre Group Theatre production Hamlet happens Harold Clurman human idea imagination Juliet kind King Lear look Macbeth mean ment Merchant of Venice Michael Chekhov mind Morris Carnovsky nature necessity never Object Othello perhaps person Phoebe Brand physical play poet Polonius Portia Prospero reading realization recognize rehearsal relaxation remember respond role scene sense Shakespeare Shylock simply soliloquy speak speech Spine stage Stanislavsky Stanislavsky system stimulate suddenly suggest talking there's things tion tragic truth Twelfth Night understanding whole words
Buku ini dirujuk
Tennessee Williams and Elia Kazan: A Collaboration in the Theatre Brenda Murphy Pratinjau terbatas - 1992 |