The Actor's EyePerforming Arts Journal Publications, 1984 - 202 halaman |
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Halaman 58
... believe , of Self - Action - Object ; and this is designed to shorten the time of work before you . Just this morning I came across an article by John Ciardi . It's a kind of testimonial to another poet who died this year . It has a ...
... believe , of Self - Action - Object ; and this is designed to shorten the time of work before you . Just this morning I came across an article by John Ciardi . It's a kind of testimonial to another poet who died this year . It has a ...
Halaman 138
... believe that this was also Shakespeare's faith in this enor- mous body of humane writing that he did . " Therefore , the logic continues , " I conclude that since Shakespeare's basic belief is that man is good and desires to be good ...
... believe that this was also Shakespeare's faith in this enor- mous body of humane writing that he did . " Therefore , the logic continues , " I conclude that since Shakespeare's basic belief is that man is good and desires to be good ...
Halaman 175
... believe happens to her and how I believe she responds to what happens in the working out of her fate . She diminishes as an individual . She becomes insecure , especially in her marital life . After the terrible scene with Hamlet in her ...
... believe happens to her and how I believe she responds to what happens in the working out of her fate . She diminishes as an individual . She becomes insecure , especially in her marital life . After the terrible scene with Hamlet in her ...
Edisi yang lain - Lihat semua
Istilah dan frasa umum
Action actor agitation Antonio Ariel audience Awake and Sing basic Bassanio become beginning body character characterization Claudius comes conscious Cordelia costume course Creon desire director emotion encounter essence eventually everything example excitement experience expressed eyes face fact Falstaff feeling final fundamental give given circumstances going Goneril Group Theatre Group Theatre production Hamlet happens Harold Clurman human idea imagination Juliet kind King Lear look Macbeth mean ment Merchant of Venice Michael Chekhov mind Morris Carnovsky nature necessity never Object Othello perhaps person Phoebe Brand physical play poet Polonius Portia Prospero reading realization recognize rehearsal relaxation remember respond role scene sense Shakespeare Shylock simply soliloquy speak speech Spine stage Stanislavsky Stanislavsky system stimulate suddenly suggest talking there's things tion tragic truth Twelfth Night understanding whole words
Buku ini dirujuk
Tennessee Williams and Elia Kazan: A Collaboration in the Theatre Brenda Murphy Pratinjau terbatas - 1992 |