The Actor's EyePerforming Arts Journal Publications, 1984 - 202 halaman |
Dari dalam buku
Hasil 1-3 dari 29
Halaman 55
... beginning , the Spine of Lear is the search for one's manhood , the search for one's Selfness . That's a good spine , but I doubt if I could play it just as such : " I will search for my own identity . " That's the same thing Peer Gynt ...
... beginning , the Spine of Lear is the search for one's manhood , the search for one's Selfness . That's a good spine , but I doubt if I could play it just as such : " I will search for my own identity . " That's the same thing Peer Gynt ...
Halaman 106
... beginning . Well , of course , any job of work in the theatre is a mighty job . A part as mighty as Lear inspires awe . I think that was my first reason for stalking the part . I would put the book on the chair or a table and just find ...
... beginning . Well , of course , any job of work in the theatre is a mighty job . A part as mighty as Lear inspires awe . I think that was my first reason for stalking the part . I would put the book on the chair or a table and just find ...
Halaman 139
... beginning , that Bassanio is just as much a fortune hunter as he was at the beginning of the play ; Antonio is also unregenerate . Antonio is lost . The fact that Good is overcome and defeated in any condition , and especially the ...
... beginning , that Bassanio is just as much a fortune hunter as he was at the beginning of the play ; Antonio is also unregenerate . Antonio is lost . The fact that Good is overcome and defeated in any condition , and especially the ...
Edisi yang lain - Lihat semua
Istilah dan frasa umum
Action actor agitation Antonio Ariel audience Awake and Sing basic Bassanio become beginning body character characterization Claudius comes conscious Cordelia costume course Creon desire director emotion encounter essence eventually everything example excitement experience expressed eyes face fact Falstaff feeling final fundamental give given circumstances going Goneril Group Theatre Group Theatre production Hamlet happens Harold Clurman human idea imagination Juliet kind King Lear look Macbeth mean ment Merchant of Venice Michael Chekhov mind Morris Carnovsky nature necessity never Object Othello perhaps person Phoebe Brand physical play poet Polonius Portia Prospero reading realization recognize rehearsal relaxation remember respond role scene sense Shakespeare Shylock simply soliloquy speak speech Spine stage Stanislavsky Stanislavsky system stimulate suddenly suggest talking there's things tion tragic truth Twelfth Night understanding whole words
Buku ini dirujuk
Tennessee Williams and Elia Kazan: A Collaboration in the Theatre Brenda Murphy Pratinjau terbatas - 1992 |