The Actor's EyePerforming Arts Journal Publications, 1984 - 202 halaman |
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Halaman 25
... becomes impossible to hold myself down . For myself I'm particularly responsive to the sound of words but it is a ... become madmen , if you like . They are " essentially mad , without seeming so , " and I think that is the center of ...
... becomes impossible to hold myself down . For myself I'm particularly responsive to the sound of words but it is a ... become madmen , if you like . They are " essentially mad , without seeming so , " and I think that is the center of ...
Halaman 33
... become beautiful . It's the damnedest thing ! The women become beautiful . And the men , drained of everything but their Selfhood , become extraordinarily hand- some . So it's worth your while even on that level to achieve it . At one ...
... become beautiful . It's the damnedest thing ! The women become beautiful . And the men , drained of everything but their Selfhood , become extraordinarily hand- some . So it's worth your while even on that level to achieve it . At one ...
Halaman 53
... becomes the fully agitating detail that shapes and characterizes all of his actions ? Can you begin to see him in his ... become clear to me , the whole thing . No one had to tell me how he would behave and what he would do for the whole ...
... becomes the fully agitating detail that shapes and characterizes all of his actions ? Can you begin to see him in his ... become clear to me , the whole thing . No one had to tell me how he would behave and what he would do for the whole ...
Edisi yang lain - Lihat semua
Istilah dan frasa umum
Action actor agitation Antonio Ariel audience Awake and Sing basic Bassanio become beginning body character characterization Claudius comes conscious Cordelia costume course Creon desire director emotion encounter essence eventually everything example excitement experience expressed eyes face fact Falstaff feeling final fundamental give given circumstances going Goneril Group Theatre Group Theatre production Hamlet happens Harold Clurman human idea imagination Juliet kind King Lear look Macbeth mean ment Merchant of Venice Michael Chekhov mind Morris Carnovsky nature necessity never Object Othello perhaps person Phoebe Brand physical play poet Polonius Portia Prospero reading realization recognize rehearsal relaxation remember respond role scene sense Shakespeare Shylock simply soliloquy speak speech Spine stage Stanislavsky Stanislavsky system stimulate suddenly suggest talking there's things tion tragic truth Twelfth Night understanding whole words
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