The Actor's EyePerforming Arts Journal Publications, 1984 - 202 halaman |
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Halaman 55
... Lear I had wanted to be told I was everything . So the whole statement almost of the basic humanity of Lear is in that seemingly incidental phrase . Nevertheless , for me it fed the peculiar search of Lear for his own identity . Now you ...
... Lear I had wanted to be told I was everything . So the whole statement almost of the basic humanity of Lear is in that seemingly incidental phrase . Nevertheless , for me it fed the peculiar search of Lear for his own identity . Now you ...
Halaman 195
... Lear possesses throughout the play , even in his madness . He dominates the play because of his determination to pursue the course I have described . The first scene is authority itself ; here his tyrannical will is fully exposed . From ...
... Lear possesses throughout the play , even in his madness . He dominates the play because of his determination to pursue the course I have described . The first scene is authority itself ; here his tyrannical will is fully exposed . From ...
Halaman 199
... Lear during his madness ; for me this madness was rather the realm of " amazing discovery . " It was as if hav- ing crossed into madness itself , everything to Lear became new in its own right . The fact , for example , that Poor Tom ...
... Lear during his madness ; for me this madness was rather the realm of " amazing discovery . " It was as if hav- ing crossed into madness itself , everything to Lear became new in its own right . The fact , for example , that Poor Tom ...
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Istilah dan frasa umum
Action actor agitation Antonio Ariel audience Awake and Sing basic Bassanio become beginning body character characterization Claudius comes conscious Cordelia costume course Creon desire director emotion encounter essence eventually everything example excitement experience expressed eyes face fact Falstaff feeling final fundamental give given circumstances going Goneril Group Theatre Group Theatre production Hamlet happens Harold Clurman human idea imagination Juliet kind King Lear look Macbeth mean ment Merchant of Venice Michael Chekhov mind Morris Carnovsky nature necessity never Object Othello perhaps person Phoebe Brand physical play poet Polonius Portia Prospero reading realization recognize rehearsal relaxation remember respond role scene sense Shakespeare Shylock simply soliloquy speak speech Spine stage Stanislavsky Stanislavsky system stimulate suddenly suggest talking there's things tion tragic truth Twelfth Night understanding whole words
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