The Actor's EyePerforming Arts Journal Publications, 1984 - 202 halaman |
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Halaman 171
Morris Carnovsky, Peter Sander. Hamlet , the actor is first compelled to grapple with the teasing question of all questions : " What makes Hamlet tick ? What is his Spine ? " Well , I have found a Spine for Hamlet that makes unifying ...
Morris Carnovsky, Peter Sander. Hamlet , the actor is first compelled to grapple with the teasing question of all questions : " What makes Hamlet tick ? What is his Spine ? " Well , I have found a Spine for Hamlet that makes unifying ...
Halaman 172
... Hamlet is an overwhelming study in the maintenance of man's in- tegrity . " What a piece of work is man . " Everything in Hamlet , wherever you put your finger , seems to point in this direction . This is what I see as the Spine of the ...
... Hamlet is an overwhelming study in the maintenance of man's in- tegrity . " What a piece of work is man . " Everything in Hamlet , wherever you put your finger , seems to point in this direction . This is what I see as the Spine of the ...
Halaman 173
... Hamlet examines in one solioquy after another . In the very first one you have this statement of it : in paraphrase— “ I don't know where I am ! I don't know what kind of world I inhabit ! It's suddenly cor- rupt , ugly , horrible . A ...
... Hamlet examines in one solioquy after another . In the very first one you have this statement of it : in paraphrase— “ I don't know where I am ! I don't know what kind of world I inhabit ! It's suddenly cor- rupt , ugly , horrible . A ...
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Istilah dan frasa umum
Action actor agitation Antonio Ariel audience Awake and Sing basic Bassanio become beginning body character characterization Claudius comes conscious Cordelia costume course Creon desire director emotion encounter essence eventually everything example excitement experience expressed eyes face fact Falstaff feeling final fundamental give given circumstances going Goneril Group Theatre Group Theatre production Hamlet happens Harold Clurman human idea imagination Juliet kind King Lear look Macbeth mean ment Merchant of Venice Michael Chekhov mind Morris Carnovsky nature necessity never Object Othello perhaps person Phoebe Brand physical play poet Polonius Portia Prospero reading realization recognize rehearsal relaxation remember respond role scene sense Shakespeare Shylock simply soliloquy speak speech Spine stage Stanislavsky Stanislavsky system stimulate suddenly suggest talking there's things tion tragic truth Twelfth Night understanding whole words
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