The Actor's EyePerforming Arts Journal Publications, 1984 - 202 halaman |
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Halaman 14
... Theatre Guild , the Group Theatre , and A.S.F.T.A. were not casual engagements or temporary jobs . With each role , whether it was large or small , modest or flashy , he became an organic and passionate part of the pro- duction in which ...
... Theatre Guild , the Group Theatre , and A.S.F.T.A. were not casual engagements or temporary jobs . With each role , whether it was large or small , modest or flashy , he became an organic and passionate part of the pro- duction in which ...
Halaman 108
... Theatre Guild , but through it all there was a nagging sense that I wasn't altogether the craftsman that I wanted to be . There was no opportunity of learning until the Group Theatre idea came along ; I , without hesitation , threw my ...
... Theatre Guild , but through it all there was a nagging sense that I wasn't altogether the craftsman that I wanted to be . There was no opportunity of learning until the Group Theatre idea came along ; I , without hesitation , threw my ...
Halaman 110
... theatre which encouraged this thing that we call sense of Self , what a rich theatre that would be ! And suppose we ... Group Theatre ? I'm sure that the Elizabethan age was a tremendously vital age with all sorts of conflict and aggres ...
... theatre which encouraged this thing that we call sense of Self , what a rich theatre that would be ! And suppose we ... Group Theatre ? I'm sure that the Elizabethan age was a tremendously vital age with all sorts of conflict and aggres ...
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Istilah dan frasa umum
Action actor agitation Antonio Ariel audience Awake and Sing basic Bassanio become beginning body character characterization Claudius comes conscious Cordelia costume course Creon desire director emotion encounter essence eventually everything example excitement experience expressed eyes face fact Falstaff feeling final fundamental give given circumstances going Goneril Group Theatre Group Theatre production Hamlet happens Harold Clurman human idea imagination Juliet kind King Lear look Macbeth mean ment Merchant of Venice Michael Chekhov mind Morris Carnovsky nature necessity never Object Othello perhaps person Phoebe Brand physical play poet Polonius Portia Prospero reading realization recognize rehearsal relaxation remember respond role scene sense Shakespeare Shylock simply soliloquy speak speech Spine stage Stanislavsky Stanislavsky system stimulate suddenly suggest talking there's things tion tragic truth Twelfth Night understanding whole words
Buku ini dirujuk
Tennessee Williams and Elia Kazan: A Collaboration in the Theatre Brenda Murphy Pratinjau terbatas - 1992 |