The Actor's EyePerforming Arts Journal Publications, 1984 - 202 halaman |
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Halaman 25
... Falstaff means . Falstaff himself being " essentially mad , without seeming so , " appreciates it when another person joins his company , in his " essential " madhouse . Let me give you a more specific example from one of the ...
... Falstaff means . Falstaff himself being " essentially mad , without seeming so , " appreciates it when another person joins his company , in his " essential " madhouse . Let me give you a more specific example from one of the ...
Halaman 47
... Falstaff but you're also yourself in relation to the audience . More important is your relation to Falstaff . More important to me is Falstaff's relation to Hal . Much more important . The relaxation and joy of playing is what , you may ...
... Falstaff but you're also yourself in relation to the audience . More important is your relation to Falstaff . More important to me is Falstaff's relation to Hal . Much more important . The relaxation and joy of playing is what , you may ...
Halaman 153
... Falstaff , especially in relation to his Spine which we had talked so much about . But , while I thoroughly enjoy the physicalization of a Falstaff , the fact is that I am wearing padding and like the frog of the fable , I am ...
... Falstaff , especially in relation to his Spine which we had talked so much about . But , while I thoroughly enjoy the physicalization of a Falstaff , the fact is that I am wearing padding and like the frog of the fable , I am ...
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Istilah dan frasa umum
Action actor agitation Antonio Ariel audience Awake and Sing basic Bassanio become beginning body character characterization Claudius comes conscious Cordelia costume course Creon desire director emotion encounter essence eventually everything example excitement experience expressed eyes face fact Falstaff feeling final fundamental give given circumstances going Goneril Group Theatre Group Theatre production Hamlet happens Harold Clurman human idea imagination Juliet kind King Lear look Macbeth mean ment Merchant of Venice Michael Chekhov mind Morris Carnovsky nature necessity never Object Othello perhaps person Phoebe Brand physical play poet Polonius Portia Prospero reading realization recognize rehearsal relaxation remember respond role scene sense Shakespeare Shylock simply soliloquy speak speech Spine stage Stanislavsky Stanislavsky system stimulate suddenly suggest talking there's things tion tragic truth Twelfth Night understanding whole words
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Tennessee Williams and Elia Kazan: A Collaboration in the Theatre Brenda Murphy Pratinjau terbatas - 1992 |