R.S. Thomas: Identity, Environment, DeityManchester University Press, 2003 - 209 halaman Christopher Morgan writes with keen critical insight on the controversial poet R.S. Thomas, considered to be one of the leading writers of the 20th century. This is the first book to treat Thomas's entire oeuvre and will prove to be an indispensible guide and companion to the complete poems. |
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Halaman 14
... opening line so that a reader is presented with knowledge and purpose as well as , in Kierkegaard's words , fear and trembling . The final lines of the poem reiterate this ambiva- lent opening and add to it an acknowledgement of the ...
... opening line so that a reader is presented with knowledge and purpose as well as , in Kierkegaard's words , fear and trembling . The final lines of the poem reiterate this ambiva- lent opening and add to it an acknowledgement of the ...
Halaman 156
... opening poem of H'm , begins with God's creation of Adam , the first man , significantly a poet , who narrates his own begin- nings : God looked at space and I appeared , Rubbing my eyes at what I saw . The earth smoked , no birds sang ...
... opening poem of H'm , begins with God's creation of Adam , the first man , significantly a poet , who narrates his own begin- nings : God looked at space and I appeared , Rubbing my eyes at what I saw . The earth smoked , no birds sang ...
Halaman 163
... opening lines indicate not only a divine anger , jealousy , and outrage but the determination by deity to compel such worship through force of superior strength , to grind humanity into dependence by affliction with poverty , sickness ...
... opening lines indicate not only a divine anger , jealousy , and outrage but the determination by deity to compel such worship through force of superior strength , to grind humanity into dependence by affliction with poverty , sickness ...
Isi
Poetry as autobiography 22 | 13 |
Noone with a crown of light | 27 |
the natural world | 49 |
Hak Cipta | |
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Istilah dan frasa umum
Aberdaron absence alienation answer applied science becomes bird Bridgend Bright Field chapter characteristic Christian collection context contextualisation creation creator-God Cynddylan dark deity depicts divine dream Dylan Thomas earth Echoes Return Slow emerges ence eternity Euros Bowen example experience exploration Faber final lines force God's Heaney highlight human idea indicates interior irony J. P. Ward Jason Walford Davies journey Laboratories language Later Poems Llŷn peninsula machine Manafon Mass for Hard mythic poems narrator natural world nature mysticism negativa No-one paradox philosophical physical poet poet's poetic Poetry Wales Poetry Wales Press presence primarily probing prose pure mysticism pure science question R. S. Thomas realisation religion religious poetry reredos Saunders Lewis sense shadow spiritual stanza suggests tension Thomas reiterates Thomas seems Thomas writes Thomas's poems Thomas's poetry Thomas's position Thomas's religious tion tradition turning ultimate reality unity via negativa violence vocabulary waiting Welsh wider words Wordsworth wound