Legacy, Volume 9Department of English, University of Massachusetts, 1992 |
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Halaman 17
... narrator practice in The Country of the Pointed Firs is founded on just such " self - for- getfulness " ( Jewett 46 ) : it is , again , the posture of the artist as sensitive listener and harmonist , for whom the making of art is ...
... narrator practice in The Country of the Pointed Firs is founded on just such " self - for- getfulness " ( Jewett 46 ) : it is , again , the posture of the artist as sensitive listener and harmonist , for whom the making of art is ...
Halaman 32
... narrator or Sapphira , the child presents herself as primarily mute , a listener to the women's stories of the past rather than a speaker : " I was al- lowed to sit with them and sew patch- work . Sometimes their talk was puz- zling ...
... narrator or Sapphira , the child presents herself as primarily mute , a listener to the women's stories of the past rather than a speaker : " I was al- lowed to sit with them and sew patch- work . Sometimes their talk was puz- zling ...
Halaman 104
... narrator : whether posing as a male ( “ On Picket Duty " ) or speaking as a female ( Work ) , her narrator's sexuality was seldom fixed and usually conflicted . I am reluc- tant to equate this narrative ambidexter- ity with androgyny ...
... narrator : whether posing as a male ( “ On Picket Duty " ) or speaking as a female ( Work ) , her narrator's sexuality was seldom fixed and usually conflicted . I am reluc- tant to equate this narrative ambidexter- ity with androgyny ...
Isi
The Later Novels | 69 |
A JOURNAL | 90 |
Narrative Authority in Louisa | 104 |
Hak Cipta | |
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Istilah dan frasa umum
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