Legacy, Volume 9;Volume 9Department of English, University of Massachusetts, 1992 |
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Halaman 21
... final section of Lucy Gayheart convincing and poign- ant , and sees in Gordon's reflections à final meditation on the power of memory and art to preserve and ennoble life . Gelfant , on the other hand , views it as the most self ...
... final section of Lucy Gayheart convincing and poign- ant , and sees in Gordon's reflections à final meditation on the power of memory and art to preserve and ennoble life . Gelfant , on the other hand , views it as the most self ...
Halaman 23
... final chapter of her 1940 novel of the antebellum South , Sapphira and the Slave Girl , as a first - person narrator recollecting an event of early childhood ( Bennett 6 , Woodress 488 ) . She had good reasons for this hesitation . The ...
... final chapter of her 1940 novel of the antebellum South , Sapphira and the Slave Girl , as a first - person narrator recollecting an event of early childhood ( Bennett 6 , Woodress 488 ) . She had good reasons for this hesitation . The ...
Halaman 24
... final words . In the essay that follows I will exam- ine more closely some implications of this uneasy double - authorial presence in the novel's closing pages - first as nameless child , then as ostentatiously named and name ...
... final words . In the essay that follows I will exam- ine more closely some implications of this uneasy double - authorial presence in the novel's closing pages - first as nameless child , then as ostentatiously named and name ...
Isi
The Later Novels | 69 |
A JOURNAL | 90 |
Narrative Authority in Louisa | 104 |
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