Comedy in Space, Time, and the ImaginationNelson-Hall, 1983 - 362 halaman |
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Halaman 98
... Shakespeare's inability to form his comedies around single characters or couples is basic to the im- plicational import of the comedies . For Shakespeare , there is no survival if one is an island unto oneself . Survival must be shared ...
... Shakespeare's inability to form his comedies around single characters or couples is basic to the im- plicational import of the comedies . For Shakespeare , there is no survival if one is an island unto oneself . Survival must be shared ...
Halaman 99
... Shakespeare's comedy was complemented by the open , unornamented stage of the time . No later stage has lent itself to the quick change of scene and the in- troduction of many characters and plots the way Shakespeare's did . Shakespeare ...
... Shakespeare's comedy was complemented by the open , unornamented stage of the time . No later stage has lent itself to the quick change of scene and the in- troduction of many characters and plots the way Shakespeare's did . Shakespeare ...
Halaman 195
... Shakespeare has taken pains to frustrate our reactions to every major character in the play . He does not allow us to hold Portia up as a paragon of womanhood , despite her fairy - tale description as a princess on the magic mountain ...
... Shakespeare has taken pains to frustrate our reactions to every major character in the play . He does not allow us to hold Portia up as a paragon of womanhood , despite her fairy - tale description as a princess on the magic mountain ...
Isi
The Woes of Comedy | 3 |
A Definition of Comedy | 13 |
The Range and Limits of Comedy | 33 |
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Istilah dan frasa umum
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