The Anthropology of MusicNorthwestern University Press, 1 Des 1964 - 372 halaman In this highly praised and seminal work, Alan Merriam demonstrates that music is a social behavior—one worthy and available to study through the methods of anthropology. In it, he convincingly argues that ethnomusicology, by definition, cannot separate the sound-analysis of music from its cultural context of people thinking, acting, and creating. The study begins with a review of the various approaches in ethnomusicology. He then suggests a useful and simple research model: ideas about music lead to behavior related to music and this behavior results in musical sound. He explains many aspects and outcomes of this model, and the methods and techniques he suggests are useful to anyone doing field work. Further chapters provide a cross-cultural round-up of concepts about music, physical and verbal behavior related to music, the role of the musician, and the learning and composing of music. The Anthropology of Music illuminates much of interest to musicologists but to social scientists in general as well. |
Dari dalam buku
Hasil 1-5 dari 73
Halaman vii
Maaf, isi halaman ini tidak dapat ditampilkan.
Maaf, isi halaman ini tidak dapat ditampilkan.
Halaman viii
Maaf, isi halaman ini tidak dapat ditampilkan.
Maaf, isi halaman ini tidak dapat ditampilkan.
Halaman ix
Maaf, isi halaman ini tidak dapat ditampilkan.
Maaf, isi halaman ini tidak dapat ditampilkan.
Halaman 4
Maaf, isi halaman ini tidak dapat ditampilkan.
Maaf, isi halaman ini tidak dapat ditampilkan.
Halaman 6
Maaf, isi halaman ini tidak dapat ditampilkan.
Maaf, isi halaman ini tidak dapat ditampilkan.
Isi
II | 3 |
IV | 17 |
V | 37 |
VII | 61 |
VIII | 63 |
X | 85 |
XI | 103 |
XIII | 123 |
XVII | 165 |
XIX | 185 |
XX | 187 |
XXII | 209 |
XXIV | 229 |
XXVI | 259 |
XXVII | 277 |
XXIX | 303 |
Edisi yang lain - Lihat semua
Istilah dan frasa umum
A. M. Jones activity American Indians analysis anthropology appears applied approach artist aspects of culture Basongye ceremonial composer composition concept concerning Congo considered context dance discussion distinction drum drummers emotion ethnomusicology example exist expression fact factors field Flathead folk music functions of music further given gongs griots Herskovits human behavior important indicate individual internal intersense modalities involved jazz kinds language learning literature major means melody Merriam method Mukulu music instruments music sound music structure music style music system musical bow musician musicology Nketia nonliterate societies Northern Rhodesia notes organization particular patterns performance phenomenon pitch play possible precisely problem produce question reference rhythm rock gongs role seems sense similar singer singing situation slit drum song texts speaking specific sung symbolic synesthesia techniques tend theory tion tone understanding Venda verbal village vision quest Wagawaga Wintu words xylophone