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Halaman 3
The experiences which the genre of spiritual autobiography documents are fundamentally different from those of the slave narrative . The spiritual autobi- ography is constructed according to a convention which is explicitly non- ...
The experiences which the genre of spiritual autobiography documents are fundamentally different from those of the slave narrative . The spiritual autobi- ography is constructed according to a convention which is explicitly non- ...
Halaman 4
Jackson's conviction of her spiritual authority granted her free- dom to follow her own leadings— alone : " I had started to go to the promised land and I wanted husband , brother , and all the world to go with me , but my mind was made ...
Jackson's conviction of her spiritual authority granted her free- dom to follow her own leadings— alone : " I had started to go to the promised land and I wanted husband , brother , and all the world to go with me , but my mind was made ...
Halaman 7
In accord with the convention of spiritual autobiography , her journal begins not with her family history , or even with her own birth , but with her spiritual re - birth at thirty - five , and the personal covenant she then makes with ...
In accord with the convention of spiritual autobiography , her journal begins not with her family history , or even with her own birth , but with her spiritual re - birth at thirty - five , and the personal covenant she then makes with ...
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Isi
Gender and Racial Identity | 17 |
Paola Gemme Ann Sophia Winterbotham Stephens 18101886 | 47 |
Veronica Stewart New Poems of Emily Dickinson edited by William | 56 |
Hak Cipta | |
Edisi yang lain - Lihat semua
Istilah dan frasa umum
1995 The Pennsylvania African-American Alcott Ameri American Literature American Women Writers artist autobiography Bellmont biography black women Boston Canaris captivity Caroline Caroline Lee Hentz Cather century character Cooke Cooke's Copyright critical cultural Dickinson domestic edition Elizabeth essays female feminist fiction Foster Frado frontier Fuller's gaze gender genre Gladys Gladys's Harriet Beecher Stowe Harriet Jacobs Helwyze Helwyze's Hentz heroine History Hopkins House of Mirth husband identity ideology Indian Jackson Jacobs Jacobs's Journal LEGACY Leonora letters Linda Louisa May Alcott lynching male Maria marriage Mary ment moral narrator nineteenth nineteenth-century novel Pennsylvania State University Phillis Wheatley poem poetry political race racial readers religious Review role Rose Terry Cooke Rowlandson Sappho Sarah Sarah Kemble Knight sentimental sexual slave narrative slavery social Southern spiritual story Stowe tion tive tradition University Park voice Warren Wells-Barnett Wharton white women woman womanhood writing York Zóphiël