Legacy, Volume 12-13Department of English, University of Massachusetts, 1995 |
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Halaman 8
distinguishes the genre of the spiritual autobiography from that of the slave narrative . Both texts celebrate a black woman's acquisition of agency , but they do so in fundamentally different ways , by offering different definitions of ...
distinguishes the genre of the spiritual autobiography from that of the slave narrative . Both texts celebrate a black woman's acquisition of agency , but they do so in fundamentally different ways , by offering different definitions of ...
Halaman 40
... slave narrative does not conform to Wilson's story , and , as a " Free Black , " she has no authorized access to the ... slave nar- rative , the first page of the chapter places it in the realm of fiction , more specifically , in the ...
... slave narrative does not conform to Wilson's story , and , as a " Free Black , " she has no authorized access to the ... slave nar- rative , the first page of the chapter places it in the realm of fiction , more specifically , in the ...
Halaman 44
... slave narrative : third - party letters of reference . Our Nig does not end in Wilson's words or with Wilson's voice , first- or third - person , but with an appen- dix , consisting of three letters , allegedly written by friends of the ...
... slave narrative : third - party letters of reference . Our Nig does not end in Wilson's words or with Wilson's voice , first- or third - person , but with an appen- dix , consisting of three letters , allegedly written by friends of the ...
Isi
Gender and Racial Identity | 17 |
Paola Gemme Ann Sophia Winterbotham Stephens 18101886 | 47 |
Veronica Stewart New Poems of Emily Dickinson edited by William | 56 |
Hak Cipta | |
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1995 The Pennsylvania African-American Alcott Ameri American Literature American Women Writers artist autobiography Bellmont biography black women Boston Canaris captivity Caroline Caroline Lee Hentz Cather century character Cooke Cooke's Copyright critical cultural Dickinson domestic edition Elizabeth essays female feminist fiction Foster Frado frontier Fuller's gaze gender genre Gladys Gladys's Harriet Beecher Stowe Harriet Jacobs Helwyze Helwyze's Hentz heroine History Hopkins House of Mirth husband identity ideology Indian Jackson Jacobs Jacobs's Journal LEGACY Leonora letters Linda Louisa May Alcott lynching male Maria marriage Mary ment moral narrator nineteenth nineteenth-century novel Pennsylvania State University Phillis Wheatley poem poetry political race racial readers religious Review role Rose Terry Cooke Rowlandson Sappho Sarah Sarah Kemble Knight sentimental sexual slave narrative slavery social Southern spiritual story Stowe tion tive tradition University Park voice Warren Wells-Barnett Wharton white women woman womanhood writing York Zóphiël