Legacy, Volume 12-13Department of English, University of Massachusetts, 1995 |
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Halaman 4
... practice ( Ruether 140 ) . Jackson's conviction of her spiritual authority granted her free- dom to follow her own leadings— alone : " I had started to go to the promised land and I wanted husband , brother , and all the world to go ...
... practice ( Ruether 140 ) . Jackson's conviction of her spiritual authority granted her free- dom to follow her own leadings— alone : " I had started to go to the promised land and I wanted husband , brother , and all the world to go ...
Halaman 32
... practice . Whereas in her other works , Alcott's female artists ' male names betray their desires to escape their gendering , A Modern Mephistopheles represents this ideal through an androgynous subject ini- tially split into incomplete ...
... practice . Whereas in her other works , Alcott's female artists ' male names betray their desires to escape their gendering , A Modern Mephistopheles represents this ideal through an androgynous subject ini- tially split into incomplete ...
Halaman 133
... practice among Southerners during the period . Yet Eoline refuses , insisting she will not marry without love . Both she and Horace develop as individuals over the course of the novel , subduing many of their youthful passions and ...
... practice among Southerners during the period . Yet Eoline refuses , insisting she will not marry without love . Both she and Horace develop as individuals over the course of the novel , subduing many of their youthful passions and ...
Isi
Gender and Racial Identity | 17 |
Paola Gemme Ann Sophia Winterbotham Stephens 18101886 | 47 |
Veronica Stewart New Poems of Emily Dickinson edited by William | 56 |
Hak Cipta | |
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1995 The Pennsylvania African-American Alcott Ameri American Literature American Women Writers artist autobiography Bellmont biography black women Boston Canaris captivity Caroline Caroline Lee Hentz Cather century character Cooke Cooke's Copyright critical cultural Dickinson domestic edition Elizabeth essays female feminist fiction Foster Frado frontier Fuller's gaze gender genre Gladys Gladys's Harriet Beecher Stowe Harriet Jacobs Helwyze Helwyze's Hentz heroine History Hopkins House of Mirth husband identity ideology Indian Jackson Jacobs Jacobs's Journal LEGACY Leonora letters Linda Louisa May Alcott lynching male Maria marriage Mary ment moral narrator nineteenth nineteenth-century novel Pennsylvania State University Phillis Wheatley poem poetry political race racial readers religious Review role Rose Terry Cooke Rowlandson Sappho Sarah Sarah Kemble Knight sentimental sexual slave narrative slavery social Southern spiritual story Stowe tion tive tradition University Park voice Warren Wells-Barnett Wharton white women woman womanhood writing York Zóphiël