Legacy, Volume 12-13Department of English, University of Massachusetts, 1995 |
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Halaman 106
... Leonora does not remain simply the object of the gaze ; the characterization of her revenge depicts Leonora as in fact wielding the gaze herself . Where in her manipulation of the doctrine of womanly influence , Leonora appropriates the ...
... Leonora does not remain simply the object of the gaze ; the characterization of her revenge depicts Leonora as in fact wielding the gaze herself . Where in her manipulation of the doctrine of womanly influence , Leonora appropriates the ...
Halaman 108
... Leonora is a passive , silent object of men's interpretations of her nature . From behind the seen / scene , Leonora's image talks back . The scene can serve as an emblem of a nightmare of patriarchy — or a feminist fantasy— that the ...
... Leonora is a passive , silent object of men's interpretations of her nature . From behind the seen / scene , Leonora's image talks back . The scene can serve as an emblem of a nightmare of patriarchy — or a feminist fantasy— that the ...
Halaman 109
... Leonora's gaze is no longer image of her mysterious power but functions to in- scribe agency in Lothario and remove it from her own character . In Leonora's speech above , it is Lothario's gaze , his " haughty eyes , " that are ...
... Leonora's gaze is no longer image of her mysterious power but functions to in- scribe agency in Lothario and remove it from her own character . In Leonora's speech above , it is Lothario's gaze , his " haughty eyes , " that are ...
Isi
Gender and Racial Identity | 17 |
Paola Gemme Ann Sophia Winterbotham Stephens 18101886 | 47 |
Veronica Stewart New Poems of Emily Dickinson edited by William | 56 |
Hak Cipta | |
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1995 The Pennsylvania African-American Alcott Ameri American Literature American Women Writers artist autobiography Bellmont biography black women Boston Canaris captivity Caroline Caroline Lee Hentz Cather century character Cooke Cooke's Copyright critical cultural Dickinson domestic edition Elizabeth essays female feminist fiction Foster Frado frontier Fuller's gaze gender genre Gladys Gladys's Harriet Beecher Stowe Harriet Jacobs Helwyze Helwyze's Hentz heroine History Hopkins House of Mirth husband identity ideology Indian Jackson Jacobs Jacobs's Journal LEGACY Leonora letters Linda Louisa May Alcott lynching male Maria marriage Mary ment moral narrator nineteenth nineteenth-century novel Pennsylvania State University Phillis Wheatley poem poetry political race racial readers religious Review role Rose Terry Cooke Rowlandson Sappho Sarah Sarah Kemble Knight sentimental sexual slave narrative slavery social Southern spiritual story Stowe tion tive tradition University Park voice Warren Wells-Barnett Wharton white women woman womanhood writing York Zóphiël