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Halaman 38
This final gap -- the gap which finally suspends the continuation of the narratable -- should then be the point at which the reader's imagination is most intensely stimulated . It may seem paradoxical that the ending of a work should be ...
This final gap -- the gap which finally suspends the continuation of the narratable -- should then be the point at which the reader's imagination is most intensely stimulated . It may seem paradoxical that the ending of a work should be ...
Halaman 39
As a result of this device , the world of the text and the world of the reader are superimposed . The implications for the reader's function in this situation are intriguing . Since Travesty presents a story with an ending which cannot ...
As a result of this device , the world of the text and the world of the reader are superimposed . The implications for the reader's function in this situation are intriguing . Since Travesty presents a story with an ending which cannot ...
Halaman 42
While Pynchon's text tries to prolong the pleasure of anticipation , Travesty confronts the reader with her approaching " death " in the very first paragraph and keeps the reader's fate constantly on the surface of the narration .
While Pynchon's text tries to prolong the pleasure of anticipation , Travesty confronts the reader with her approaching " death " in the very first paragraph and keeps the reader's fate constantly on the surface of the narration .
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How We Have Learned to Stop Worrying Review | 123 |
Brooke K Horvath | 137 |
Notes | 151 |
Hak Cipta | |
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allusions ambiguity American angels appear attempt become begin Browne called chapter characters communication connection contemporary course critics Crying of Lot culture dead death describes discourse discussion double dream effect Engineering Entropy essay example experience fact feeling fiction figure finally forces Gravity's Rainbow human idea images interest interpretation John kind later less literary Literature live look matter meaning metafiction metaphor mind narrative nature never Notes novel Oedipa perhaps Physics play political position possibility postmodern present provides published question reader reading reality reference relation represents Review Rocket secret seems sense short Siegel Slothrop social society story structure suggests things Thomas Pynchon turn understanding University Vineland writing York