Pynchon Notes, Masalah 22-27J.M. Kraft and K. Tololyan, 1990 |
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Halaman 55
... play and the truth of history is strengthened by the further transfer of meaning within the play itself , first by Angelo's use of the product of his crime as the vehicle for denying his criminality , and then by the miraculous use of ...
... play and the truth of history is strengthened by the further transfer of meaning within the play itself , first by Angelo's use of the product of his crime as the vehicle for denying his criminality , and then by the miraculous use of ...
Halaman 56
... play ever emerges from Fangoso Lagoon . The dead men are neither repositories of truth nor the victims of a lie ; nor are they truth or lie themselves . Rather , they are counters in a cultural play of metaphorical substitution in which ...
... play ever emerges from Fangoso Lagoon . The dead men are neither repositories of truth nor the victims of a lie ; nor are they truth or lie themselves . Rather , they are counters in a cultural play of metaphorical substitution in which ...
Halaman 57
... play " ( 65 ) who " hears the tale of the Lost Guard " ( 68 ) and is pursued by a band of evil figures finally named Trystero . Just as Niccolò's murder by Trystero reveals Duke Angelo's massacre of the Lost Guard , so Driblette's walk ...
... play " ( 65 ) who " hears the tale of the Lost Guard " ( 68 ) and is pursued by a band of evil figures finally named Trystero . Just as Niccolò's murder by Trystero reveals Duke Angelo's massacre of the Lost Guard , so Driblette's walk ...
Isi
A Review | 103 |
How We Have Learned to Stop Worrying Review | 123 |
Safer or Sorrier? Review | 137 |
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