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Halaman 82
After " The Secret Integration , " however , such figures in Pynchon's fiction do not remain merely at the margins of narrative . Instead , they work to elaborate a counternarrative to their culture .
After " The Secret Integration , " however , such figures in Pynchon's fiction do not remain merely at the margins of narrative . Instead , they work to elaborate a counternarrative to their culture .
Halaman 43
Notes 1 " Structuralist theory argues that each narrative has two parts : a story ( histoire ) , the content or chain of events ... and a discourse ( discours ) , that is , the expression , the means by which the content is communicated ...
Notes 1 " Structuralist theory argues that each narrative has two parts : a story ( histoire ) , the content or chain of events ... and a discourse ( discours ) , that is , the expression , the means by which the content is communicated ...
Halaman 172
Also , though Madsen often discusses operations in Pynchon ' s works as narrative operations ( e . g . , 33 ) , she uses the word " narrative " loosely ; she does not examine the operations of the narrative specifically as such ( as D ...
Also , though Madsen often discusses operations in Pynchon ' s works as narrative operations ( e . g . , 33 ) , she uses the word " narrative " loosely ; she does not examine the operations of the narrative specifically as such ( as D ...
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How We Have Learned to Stop Worrying Review | 123 |
Brooke K Horvath | 137 |
Notes | 151 |
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