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Halaman 25
Among the novel's ambiguities are the mysterious , giant , supernatural beings who appear from time to time to observe the action . These beings , especially the Angel of Lübeck , have usually been identified as Rilkean Angels .
Among the novel's ambiguities are the mysterious , giant , supernatural beings who appear from time to time to observe the action . These beings , especially the Angel of Lübeck , have usually been identified as Rilkean Angels .
Halaman 14
If Siegel is the " confused liberal " who cannot understand why in his society " mercy and mortality appear inseparable , and terrorism a kind of unfathomable justice , " then Pynchon is the author who shows us step by step what ...
If Siegel is the " confused liberal " who cannot understand why in his society " mercy and mortality appear inseparable , and terrorism a kind of unfathomable justice , " then Pynchon is the author who shows us step by step what ...
Halaman 42
While Lot 49 tries , through its suspenseful closural strategy , to reconcile the demands of narrative and ending , Travesty appears to deny the possibility of having it all in narrative . The model of suspense operating here is ...
While Lot 49 tries , through its suspenseful closural strategy , to reconcile the demands of narrative and ending , Travesty appears to deny the possibility of having it all in narrative . The model of suspense operating here is ...
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How We Have Learned to Stop Worrying Review | 123 |
Brooke K Horvath | 137 |
Notes | 151 |
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