The Growth and Influence of Classical Greek Poetry: Lectures Delivered in 1892 on the Percy Turnbull Memorial Foundation in the Johns Hopkins UniversityMacmillan, 1893 - 290 halaman |
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Halaman viii
... comedy Pictures of social life . Position of women Tone of social intercourse Summary . General character of Homeric poetry Hesiod The Works and Days The Theogony The Shield of Heracles Style of Hesiod , compared with the Homeric Hesiod ...
... comedy Pictures of social life . Position of women Tone of social intercourse Summary . General character of Homeric poetry Hesiod The Works and Days The Theogony The Shield of Heracles Style of Hesiod , compared with the Homeric Hesiod ...
Halaman xii
... Comedy Aristophanes Criticism in the Frogs Summary · Popularity of Euripides in all later times His intrinsic merits as a poet • His work as tried by the highest Hellenic standard His " realism : " what it meant The great age of Greek ...
... Comedy Aristophanes Criticism in the Frogs Summary · Popularity of Euripides in all later times His intrinsic merits as a poet • His work as tried by the highest Hellenic standard His " realism : " what it meant The great age of Greek ...
Halaman 71
... comedy . edy , as moderns would deem it . Thus Odys- seus says , after relating how he had warned his comrades ... comedy , because it is so opposite to the heroic ; but the poet did not intend Traits verging on comedy ·
... comedy . edy , as moderns would deem it . Thus Odys- seus says , after relating how he had warned his comrades ... comedy , because it is so opposite to the heroic ; but the poet did not intend Traits verging on comedy ·
Halaman 106
... Comedy . But there is a larger aspect of iambic poetry which must not be forgotten . The satirical application , however frequent and charac- teristic , was after all accidental . It was merely one particular bent given to the general ...
... Comedy . But there is a larger aspect of iambic poetry which must not be forgotten . The satirical application , however frequent and charac- teristic , was after all accidental . It was merely one particular bent given to the general ...
Halaman 111
... Comedy , wove around her name only a few leading facts can be disengaged . She was the head of a school or group of pupils in Lesbos , — maidens whom she trained in the lyric art , sometimes with a view to their taking part in the ...
... Comedy , wove around her name only a few leading facts can be disengaged . She was the head of a school or group of pupils in Lesbos , — maidens whom she trained in the lyric art , sometimes with a view to their taking part in the ...
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Achilles actors Aeolian Aeschy Aeschylus Agamemnon Alcman Alexandrian ancient Antigone Apollo Aristophanes artistic Athenian Athens Attic Comedy Attic drama Attic Tragedy beauty best Greek century B. C. character charm choral lyric Chorus chylus classical Clytaemnestra Creon criticism Dionysia Dionysus distinctive dithyramb divine Dorian dramatist elegiac element epic epos Euripides expression extant plays feeling festival genius gifts gods Greece Greek art Greek literature Greek poetry Hebraism Hellas Hellenic Heracles heroes heroic Hesiod Hieron Homeric human iambic ideal Iliad imagination influence inspiration intellectual Ionian Keats later less literary living lyric poetry ment merely minstrel modern moral nature noble odes of victory Odysseus Oedipus Olympian Pelops persons Pindar poem poet poet's poetical popular Prometheus qualities race religion Roman says sense sentiment Simonides song Sophoclean Sophocles speech spirit Stesichorus story style sympathy themes things thou thought tion tradition tragic true verses words Zeus
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Halaman 230 - Thy song, nor ever can those trees be bare; Bold Lover, never, never canst thou kiss, Though winning near the goal — yet, do not grieve; She cannot fade, though thou hast not thy bliss, For ever wilt thou love, and she be fair!
Halaman xiii - Thy hopes grow timorous, and unfixed thy powers, And thy clear aims be cross and shifting made: And then thy glad perennial youth would fade, Fade, and grow old at last, and die like ours.
Halaman 230 - Thanks to its tenderness, its joys, and fears, To me the meanest flower that blows can give Thoughts that do often lie too deep for tears.
Halaman 213 - I am satisfied if it cause delight. For delight is the chief, if not the only, end of poesy. Instruction can be admitted but in the second place, for poesy only instructs as it delights.
Halaman 42 - Like the poor cat i' the adage? MACB. Prithee, peace. I dare do all that may become a man; Who dares do more is none. LADY M. What beast was't, then, That made you break this enterprise to me? When you durst do it, then you were a man; And, to be more than what you were, you would Be so much more the man.
Halaman 225 - ... activity, the whole play of the universal order, to be apprehensive of missing any part of it, of sacrificing one part to another, to slip away from resting in this or that intimation of it, however capital.
Halaman 42 - Could all our care elude the gloomy grave, Which claims no less the fearful than the brave, For lust of fame I should not vainly dare In fighting fields, nor urge thy soul to war. But since, alas ! ignoble age must come, Disease, and death's inexorable doom, The life, which others pay, let us bestow, And give to fame what we to nature owe ; Brave though we fall, and honour'd if we live, Or let us glory gain, or glory give!
Halaman 59 - Be not wroth with me hereat, goddess and queen. Myself I know it well, how wise Penelope is meaner to look upon than thou, in comeliness and stature. But she is mortal and thou knowest not age nor death. Yet even so, I wish and long day by day to fare homeward and see the day of my returning. Yea, and if some god...
Halaman 43 - OF man's first disobedience, and the fruit Of that forbidden tree, whose mortal taste Brought death into the world, and all our woe, With loss of Eden, till one greater Man Restore us, and regain the blissful seat, Sing, heavenly Muse...
Halaman 203 - I see not then, but we should enjoy the same license, or free power to illustrate and heighten our invention, as they did ; and not be tied to those strict and regular forms which the niceness of a few, who are nothing but form, would thrust upon us.