Laughter, Pain, and Wonder: Shakespeare's Comedies and the Audience in the TheaterUniversity of Delaware Press, 1990 - 197 halaman This work's chief aim is to restore to readers, performers, and audiences the richness and vitality of Shakespeare's comedies. Richman explores the way in which a reader's relations to Shakespeare's literary texts differ from those of the relations between performers of Shakespeare's works and their audiences. Richman also examines the forms of humor and empathy that Shakespeare's comedies elicit. |
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Halaman 13
... move and gesture ? From where do they enter , and whither do they exit ? What compels them to utter the lines the playwright has given them ? At what tempo and volume , with which emphases , and with what degrees of duration and ...
... move and gesture ? From where do they enter , and whither do they exit ? What compels them to utter the lines the playwright has given them ? At what tempo and volume , with which emphases , and with what degrees of duration and ...
Halaman 14
... move most effectively . Contributing to directorial freedom is the inescapable fact that pro- ducing the plays of any dramatist not of our own time involves an act of temporal translation . No effort of historical imagination , how ...
... move most effectively . Contributing to directorial freedom is the inescapable fact that pro- ducing the plays of any dramatist not of our own time involves an act of temporal translation . No effort of historical imagination , how ...
Halaman 19
... moving stones , of Orpheus listened to by beasts , and he describes the power of poets " to drawe with their charming sweetness the wild untamed wits to an admiration of knowledge . " Sidney's delight is such that readers or hearers ...
... moving stones , of Orpheus listened to by beasts , and he describes the power of poets " to drawe with their charming sweetness the wild untamed wits to an admiration of knowledge . " Sidney's delight is such that readers or hearers ...
Halaman 29
... move away from comedy or even from laughter . But the laughter is no longer so mali- cious as it has been . It is called forth chiefly by the several sorts of verbal and theatrical cleverness that Feste exhibits . Throughout the play ...
... move away from comedy or even from laughter . But the laughter is no longer so mali- cious as it has been . It is called forth chiefly by the several sorts of verbal and theatrical cleverness that Feste exhibits . Throughout the play ...
Halaman 32
... moves to the relatively detached laughter proper to farce . As we shall see , diverting the spectators ' potential derision with other kinds of mirth is one of Shakespeare's chief means of keeping them from sharing the scorn in which so ...
... moves to the relatively detached laughter proper to farce . As we shall see , diverting the spectators ' potential derision with other kinds of mirth is one of Shakespeare's chief means of keeping them from sharing the scorn in which so ...
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Laughter, Pain, and Wonder: Shakespeare's Comedies and the Audience in the ... David Richman Tampilan cuplikan - 1990 |
Istilah dan frasa umum
action actor allowed appearance attention audience audience's Beatrice become beginning Benedick Bertram bring calls cause characters Claudio comedies comes comic Compare complete continues create critics death describes directors dramatist draws Dream duke duke's early effects Elizabethan emotional experience expressed farcical feelings Festival figure final follows force give given grows Helena human imagination important king laugh laughter lines London lords lovers Malvolio means Measure mind miracle mood move nature never Night notes observes pain passion performance Pericles physical play play's playgoers playwright possible present Press problem production Prospero reaction reason response restoration revealed Rosalind scene seems sense Shake Shakespeare Quarterly Shakespeare's comedies share Shylock speak spectators speech stage Stratford Studies suffering suggest surprise sympathy Tale theater thing tion tragedy Twelfth understanding University Press verse wonder York
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Halaman 98 - Therefore the moon, the governess of floods, Pale in her anger, washes all the air, That rheumatic diseases do abound : And thorough this distemperature we see The seasons alter : hoary-headed frosts in the fresh lap of the crimson rose, And on old Hiems...
Halaman 131 - Hero had turned nun, if it had not been for a hot midsummer night ; for good youth, he went but forth to wash him in the Hellespont, and being taken with the cramp, was drowned, and the foolish chroniclers of that age found it was — Hero of Sestos. But these are all lies ; men have died from time to time, and worms have eaten them, but not for love.
Halaman 104 - They say miracles are past ; and we have our philosophical persons, to make modern and familiar, things supernatural and causeless. Hence is it that we make trifles of terrors ; ensconcing ourselves into seeming knowledge, when we should submit ourselves to an unknown fear.
Halaman 35 - By the Lord, I knew ye as well as he that made ye. Why, hear you, my masters: was it for me to kill the heir-apparent ? should I turn upon the true prince?
Halaman 64 - And so I was, which plainly signified That I should snarl, and bite, and play the dog. Then, since the heavens have shap'd my body so, Let hell make crook'd my mind to answer it. I have no brother, I am like no brother; And this word 'love,' which greybeards call divine, Be resident in men like one another, And not in me!
Halaman 94 - ... the real state of sublunary nature which partakes of good and evil, joy and sorrow, mingled with endless variety of proportion and innumerable modes of combination, and expressing the course of the world...
Halaman 70 - I would my daughter were dead at my foot, and the jewels in her ear ! Would she were hearsed at my foot, and the ducats in her coffin!
Halaman 118 - Is to make midnight mushrooms, that rejoice To hear the solemn curfew; by whose aid, Weak masters though ye be, I have bedimm'd The noontide sun, call'd forth the mutinous winds, And twixt the green sea and the azur'd vault Set roaring war; to the dread rattling thunder Have I given fire, and rifted Jove's stout oak With his own bolt...