"Frame My Face to All Occasions": Shakespeare's Richard III on ScreenBraumüller, 2005 - 243 halaman “Film has kept turning to most of Shakespeare's work throughout the entire history of the medium. With a renewed boom of Shakespeare on screen in the 1990s, academic awareness of, and interest in this phenomenon has increased drastically and now faces an enormous range of different filmic references to Shakespeare and his work, all classified as 'Skakespearean film'. This book concentrates on one play, Richard III, and explores the possible variants and different types of Skakespearean film by surveying in what different ways and formats Richard III has appeared on screen. While the play has always enjoyed great popularity in performance, especially for its leading part, it is also very complex and has been considered difficult for its references to history, its political entanglements and its strong suggestions of a prevailing moral order of divine retribution. It is the objective of this study to find out how cinema and television as media designed for mass appeal deal with this play.“ -- author. |
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Halaman 69
... women achieve their significance not so much as individuals , but rather as a female " chorus of ritual lamentation , curse , and prophecy " . " Lull has argued that the women speak as the voice of destiny.80 In that sense , Margaret ...
... women achieve their significance not so much as individuals , but rather as a female " chorus of ritual lamentation , curse , and prophecy " . " Lull has argued that the women speak as the voice of destiny.80 In that sense , Margaret ...
Halaman 117
... women's parts are reduced to less than 45 % of their text in the play.141 Notably , the lines of the remaining female characters are most likely to be cut when they do oppose Richard . Most of Anne's part in the keen encounter of wits ...
... women's parts are reduced to less than 45 % of their text in the play.141 Notably , the lines of the remaining female characters are most likely to be cut when they do oppose Richard . Most of Anne's part in the keen encounter of wits ...
Halaman 166
... women in Richard III , the women in The Street King are gathered in mutual support and mourning after Eduardo's death . We even find truncated forms of some of the prophecies in Richard III in this gangster movie.396 Especially in the ...
... women in Richard III , the women in The Street King are gathered in mutual support and mourning after Eduardo's death . We even find truncated forms of some of the prophecies in Richard III in this gangster movie.396 Especially in the ...
Isi
SHAKESPEARE ON SCREEN | 22 |
Laurence Olivier Orson Welles | 34 |
The Age of Televised Shakespeare | 41 |
Hak Cipta | |
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Istilah dan frasa umum
actors actually adaptation Al Pacino animated Antony Sher audience battle BBC Television Shakespeare Bogdanov Branagh Buckingham Cambridge camera characters Cibber cinema Clarence close-up Colley costumes critics curses Edward Elizabeth especially feature film film's filmic genre ghosts Gloucester Hamlet Hapgood Hastings Henry Henry VI history plays horror Howell Howell's Ian McKellen Ibid Jorgens Jowett Kenneth King Richard King Richard III Lady Anne Laurence Olivier lines Loncraine Loncraine's Looking for Richard Macbeth Manvell Margaret McKernan medium Moreover movie murder Olivier's Richard opening soliloquy Pacino plot popular presented Princes quoted Richard Duke Richard Loncraine Richmond Rikki Roses Rothwell Rothwell/Melzer Ruiz Scarface Screenplay sequence Shake Shakespeare films Shakespeare in Love Shakespeare on Screen Shakespeare's plays Shakespearean film shot shows silent film silent Shakespeare Sinyard speare stage production story Television Shakespeare tetralogy theatre theatrical tion tragedy viewer visual Wars William Shakespeare wooing scene