The Absent ShakespeareFairleigh Dickinson Univ Press, 1994 - 174 halaman Building on recent textual studies of King Lear and Hamlet, which compare Folio and Quarto differences, Mirsky sees them not just as an opportunity to view the playwright revising toward more skillful staging, greater complexity of plot, and ambiguity of character. The process of revision also exposes a personal Shakespeare. Differences between Folio and Quarto texts show the growing sophistication of Shakespeare's dramatic craft and reveal how the playwright changed as he matured. The book presents a dramatist maturing in time, grappling with incest, patricide, filicide, erotic love, and the inevitability of death. It finds this naked Shakespeare in Macbeth and The Tempest as well, expressed in the riddles of the plays. The author refers not only to the text of Shakespeare but also to the plays in performance - suggesting how the actor's reading and interpretation lay bare the intentions of the playwright on the stage. |
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Halaman 20
... speeches professing love are not glib — as always performed — but halting , desperate ; cliches that stop in ... speech unable " ( FF.1.1 : 65 ) echoed by Regan's " she names my very deed of love " ( FF . 1.1 : 76 ) . It is the ...
... speeches professing love are not glib — as always performed — but halting , desperate ; cliches that stop in ... speech unable " ( FF.1.1 : 65 ) echoed by Regan's " she names my very deed of love " ( FF . 1.1 : 76 ) . It is the ...
Halaman 23
... speech and persona stands always at the point of metamorpho- sis , of changing from one person to another . It is an obsessive stage action for a playwright who understands the power of hallucina- tion — onstage change — over an ...
... speech and persona stands always at the point of metamorpho- sis , of changing from one person to another . It is an obsessive stage action for a playwright who understands the power of hallucina- tion — onstage change — over an ...
Halaman 27
... speech , but not before he has pictured the elder dame of virtue as sweating in sexual desire , " riotous appetite " : Behold yond simpring Dame , whose face between her Forkes presages Snow ; that minces Virtue , & do's shake the head ...
... speech , but not before he has pictured the elder dame of virtue as sweating in sexual desire , " riotous appetite " : Behold yond simpring Dame , whose face between her Forkes presages Snow ; that minces Virtue , & do's shake the head ...
Halaman 28
... speech speaks of " Copulation " in general rather than in- cest , but its context addresses specific fears . The peroration begins with the portrait of an aging woman who pretends to a virtue she does not possess and disguises her ...
... speech speaks of " Copulation " in general rather than in- cest , but its context addresses specific fears . The peroration begins with the portrait of an aging woman who pretends to a virtue she does not possess and disguises her ...
Halaman 31
... the play in the Folio ( the speech is Albany's in the Quarto ) not as a statement of the general exhaustion , but as a conundrum of Poor Tom : " We that are young , / Shall never see so much , nor ALL THE KING'S DAUGHTERS 31.
... the play in the Folio ( the speech is Albany's in the Quarto ) not as a statement of the general exhaustion , but as a conundrum of Poor Tom : " We that are young , / Shall never see so much , nor ALL THE KING'S DAUGHTERS 31.
Isi
| 15 | |
| 19 | |
The Itch Revises | 33 |
Hamlets Father | 47 |
The Shadows Dance | 71 |
Macbeths Child | 99 |
What Prospero Knows | 125 |
Shakespeares Myth | 141 |
Notes | 147 |
Works Cited | 169 |
Index | 172 |
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Istilah dan frasa umum
action actor Alfred Harbage ambition anger anxiety audience Banquo begins Caliban calls child Claudius Claudius's conscience Cordelia court cries dark daughter dead death doth drama dream echo Edgar Edited Edmund erotic evil fantasy father fear Ferdinand flesh Folio Fool foul Gertrude Gertrude's Ghost Gloucester Gloucester's Gonerill grave Hamlet hath hear Heaven Hesiod Horatio husband incestuous innocent joke King Lear King's Lady Macbeth Laertes Laertes's latter Lear's lines look Lord Macduff madness magic mind Miranda mock mole mother murder nature never Oedipus Ophelia Osric Pillicock play playwright plot Polonius Prince Prince Hamlet Prince's Prospero question reality reference Regan remark revenge riddle scene Second Quarto seems sense sexual Shake Shakespeare sisters sleep soliloquy Sophocles speaks speech stage suggests suicide T. S. Eliot Tempest thee thou tion tragedy Urkowitz W. W. Greg wife William Shakespeare witches word
Bagian yang populer
Halaman 50 - In the most high and palmy state of Rome, A little ere the mightiest Julius fell, The graves stood tenantless, and the sheeted dead Did squeak and gibber in the Roman streets...
Halaman 37 - Unhappy that I am, I cannot heave My heart into my mouth. I love your majesty According to my bond; nor more nor less.
Halaman 64 - Excitements of my reason and my blood, And let all sleep, while to my shame I see, The imminent death of twenty thousand men, That, for a fantasy and trick of fame, Go to their graves like beds...
Halaman 21 - Hear, Nature, hear ! dear goddess, hear ! Suspend thy purpose, if thou didst intend To make this creature fruitful ! Into her womb convey sterility ! Dry up in her the organs of increase, And from her derogate body never spring A babe to honour her...
Halaman 41 - ... twixt son and father. This villain of mine comes under the prediction; there's son against father. The King falls from bias of nature; there's father against child. We have seen the best of our time: machinations, hollowness, treachery, and all ruinous disorders, follow us disquietly to our graves.