Seeing the American Woman, 1880-1920: The Social Impact of the Visual Media Explosion

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McFarland, 8 Des 2011 - 243 halaman

From 1880 to 1920, the first truly national visual culture developed in the United States as a result of the completion of the Pacific Railroad. Women, especially young and beautiful ones, found new lives shaped by their participation in that visual culture. This rapidly evolving age left behind the "cult of domesticity" that reigned in the nineteenth century to give rise to new "types" of women based on a single feature--a type of hair, skin, dress, or prop--including the Gibson Girl, the sob sister, the stunt girl, the hoochy-coochy dancer, and the bearded lady. Exploring both high and low culture, from the circus and film to newspapers and magazines, this work examines depictions of women at the dawn of "mass media," depictions that would remain influential throughout the twentieth century.

 

Isi

Preface
1
1 Public Women Public Depictions
5
2 Woman as Child Child as Woman
23
3 The Gibson Girl
55
4 The Stunt Girl
85
5 The Comedic Victim of Violence
113
6 Evil Lone Dancers
133
7 Women on Scientific Display
162
8 A Modern Amalgam
183
Conclusion
207
Works Cited
215
Index
229
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Tentang pengarang (2011)

Katherine H. Adams is a professor emerita of the Department of English at Loyola University New Orleans. The late Michael L. Keene was a professor emeritus of English at the University of Tennessee Knoxville. Jennifer C. Koella lectures at the University of Tennessee, Knoxville.

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