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Renaissance Clothing and the Materials of Memory

Sampul Depan
2 Resensi
Cambridge University Press, 2000 - 368 halaman
In Renaissance Clothing and the Materials of Memory Jones and Stallybrass argue that the making and transmission of fabrics and clothing were central to the making of Renaissance culture. Their examination explores the role of clothes as forms of memory transmitted from master to servant, from friend to friend, from lover to lover. This book offers a close reading of literary texts, paintings, textiles, theatrical documents, and ephemera to reveal how clothing and textiles were crucial to gender, sexuality, and religion in the Renaissance.
  

Apa yang dikatakan orang - Tulis resensi

Review: Renaissance Clothing and the Materials of Memory

Ulasan Pengguna  - Kathy - Goodreads

Wonderful illustrations - touches on the importance of clothes and decoration Baca ulasan lengkap

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Halaman terpilih

Isi

fashion fetishism and memory in early modern England and Europe
1
Material subjects
15
1 The currency of clothing
17
making portraits
34
fabrications of the Jacobean court
59
Gendered habits
87
Velázquezs Las Hilanderas
89
Penelope and the Three Fates
104
7 The circulation of clothes and the making of the English theater
175
speculating on the boy actor
207
Griselda clothing and the exchange of women
220
the materiality of memory on the Renaissance stage
245
the ends of livery
269
Notes
278
Bibliography
329
Index
355

needlework and the appropriation of printed texts
134
Staging clothes
173
Hak Cipta

Edisi yang lain - Lihat semua

Renaissance Clothing and the Materials of Memory
Renaissance Clothing and the Materials of Memory
Ann Rosalind Jones,Peter Stallybrass
Pratinjau tidak tersedia - 2000

Istilah dan frasa umum

Anne Anthony Van Dyck apparel Arachne Arachne's aristocratic armor Barnabe Rich Ben Jonson Boccaccio body boy actor breasts Cambridge University Press cassoni cloak clothes costumes Countess Countess of Somerset court Culture Dekker depicted distaff doublet dress Earl Early Modern England Elizabeth embroidered embroidery English engraving fashion father female fetish Frances Howard garments gender ghost gold gown Griselda Grissill Gualtieri hair Hamlet Henry Henslowe Hic Mulier Holbein husband James jewels John Jonson King lace Lady linen Lisa Jardine livery London Lord male marriage Mary material memory needle needlework Overbury Ovid Oxford painting Pamela pawnbroking pawned Penelope Petrarch play portrait Queen reclothing records Renaissance robe ruffs russet scene sexual Shakespeare silk silver sitters social Somerset spinner spinning stage Stephen Orgel story tapestry textile theater theatrical Thomas Thomas Dekker thread trans translation undressing Velazquez wearing weaver weaving wife William woman women woodcut wool yellow starch York

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Tentang penulis (2000)

Jones is Esther Cloudman Dunn Professor of Comparative Literature at Smith College, where she directs the comparative literature program.

Susan Berg, former Vice President and Director of the Library at the Mariner's Museum, is author of "Eighteenth-Century Williamsburg Imprints." Karen Kupperman is Silver Professor of History at New York University and author of "Indians and English: Facing Off in Early America." Peter Stallybrass is Annenberg Professor of Humanities at the University of Pennsylvania and the coauthor of "Benjamin Franklin, Writer and Printer.

Informasi bibliografi

QR code for Renaissance Clothing and the Materials of Memory
JudulRenaissance Clothing and the Materials of Memory
Cambridge Studies in Renaissance Literature and Culture, ISSN 1747-3926
PenulisAnn Rosalind Jones, Peter Stallybrass
Edisiberilustrasi, cetak ulang, beranotasi
PenerbitCambridge University Press, 2000
ISBN0521786630, 9780521786638
Tebal368 halaman
  
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